At my Bharatanatyam class yesterday, our teacher mentioned that some dancers from another class would join as at the beginning of our dance. The reason was that, although there are 11 of us, we simply cannot fill one gigantic stage.

What intrigued me on this is that I’ve heard the same thing about Middle Eastern dance, that a performance should include many dancers and that few dancers can do solos that are captivating enough to “fill” the stage. If you’re sitting in the back part of a huge auditorium, I imagine it would be difficult to see someone executing most moves. I never considered that the same idea could conceivably be applied to classical Indian dance. The facial expressions, eye movements, even the visual of the footwork could easily be lost in a huge performance venue.

I wonder how much has been adapted to make the dance more dynamic on stage, what really went into going from a temple dance to a stage performance. I remember watching a documentary about this, in regards to Odissi, but I think the documentary was more about secular vs. religious, rather than a close up setting vs. a large stage.

Does anyone have any books, documentaries, papers, etc. on this one?

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