MassRaqs was an awesome event. My commitment to MassRaqs took more time than I had anticipated, but it was genuinely rewarding to see how much people enjoyed the weekend. I still feel good about whatever part I played in bringing something like this to New England.

Friday night was a history review. It turns out that the Boston-area is ripe with Middle Eastern dance history. From Shadia, a local teacher, discussing her history to the ladies who are creating the Aziza! documentary about Boston’s role in the dance community, we are surrounded by history. The Friday night event ended with a dance show. It was good to see a variety of styles. I was asked to film, so I didn’t exactly see the entire show. I mean, I did, it was just through a small LCD. Filming dance is difficult. I wasn’t sure how everyone was going to dance and use the space, so I hope I did an adequate job. All I remembered about filming dance, from what I heard from others, is that I should have the face in the shot as much as humanly possible and not do some crazy zoom in on the midsection stuff.

Saturday was Meiver and Bozenka teaching; Cassandra unfortunately was injured pretty bad and was unable to teach. Meiver taught “Oriental Combinations.” Some of the combinations or at least parts of them were from the dance we learned; it was cool how things did stick with you. However, it made it challenging to learn the variation of the combo; sometimes my body wanted to autopilot what it thought was next. Bozenka taught Hands and Arms, as well as what would’ve been Cassandra’s beledi workshop. The Hands and Arms was tiring. A lot of the exercises reminded me of the ones my teacher, Danielle of Chicago, had me do. It was a good reminder, because I’ve been negligent with them. The beledi workshop was a good intro to beledi; I was impressed that Bozenka could figure out what to teach so quickly.

I’m going to cut in here and just mention that Bozenka is a great instructor. She is warm, always looks like she is having fun, and is able to communicate what she means clearly. I really like that she attended the Friday panel and appeared to have a great time; it’s nice to see people, especially top caliber people, who are interested in participating as a community member (even temporarily) and not just there to promote themselves, if that makes any sense.

Sunday was Shadia and Bozenka. Shadia is a real hidden gem in this area. I don’t hear much about her, which is a shame. She taught double cane and Bedouin dancing. She is a very encouraging instructor. Double cane is difficult. I think I will, once my life settles down again (schoolwork was put aside for MassRaqs this weekend), practice twirling and doing cane with my left hand. The line dancing was fun. Shadia ended the workshop with her performing; she is so charming and talented as an instructor, dancer, and costumer. I’m really glad that Meiver has made an effort to include and celebrate our local instructors.

Bozenka on the second day taught Oriental technique and drum solo stuff. The Oriental technique was interesting, because I typically have not had the opportunity to practice things across the floor. My favorite part, though, were facial exercises. Bozenka had us practice various emotions expressed on our face while we walked across the floor. I liked her philosophy that it’s good to know the range of expressions you can have, even if you don’t use them all. The drum solo workshop was a highlight of the weekend, because a live drummer was present and we were able to see what it was like to communicate non-verbally with a drummer. There was also a circle dance that was fun at the end.

The show was a good mix of styles. Mirza, Shadia’s troupe; Chantal; and Bozenka all did folkloric pieces. Bozenka’s was particularly interesting to me, because I didn’t know she did meleya leff. I always think of her as this beautiful, refined, classic looking dancing. Hers was excellent and to the live band. Yes, there was a live band with singer. Act 2 was an Oriental act, entirely to the live band. All the dancers were stunning. I like how Nina came through the audience, rather than starting on stage. I didn’t get to see her dance at Meiver’s recital, so this was a particular treat. Meiver looked gorgeous and danced beautifully; Phaedra was impressive with her dancing and zill playing. The standout for me was how Najmat and Hanan really interacted with the band; Najmat’s interaction in particular made it feel like she was a part of the band. It was really an amazing performance from her, and I usually enjoy her performances. Bozenka came out and performed another great piece to top off the evening.

I could go into a lot of detail of how things went logistically with the event, but I don’t feel like that’s the most important thing right now. Of course, there were things that should’ve, could’ve, and will be different; I wrote my list up last night, so I remember when we start planning MassRaqs 2011 next month. We’ll work on improving them for next year. Right now, it’s nice to bask in what went well. The community came together and celebrated dance. With who knows how many things that could’ve gone wrong, we didn’t do too poorly for our first year.

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